Volume 6, Issue 1 (2013)

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Front Matter
Criterion: A Journal for Literary Criticism

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Editors' Note
Brice Peterson and Joseph Post

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Make or Break: The Effects of Traumatic Experience on Sympathy in As I Lay Dying
Jordan Call

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“Artes That Been Curious”: Questions of Magic and Morality in Chaucer’s “The Franklin’s Tale”
Kaitlin Coats

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Fixing the Phantoms of Conceit: Wordsworth’s Prefiguration of the Photographic Impulse in “Tintern Abbey” and The Prelude
Rachel Daniel

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Wittgenstein, Language, and Mathematics in Paul Auster's City of Glass
Nichole Eck

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"By the Waters of the Susquehanna, I Laid Down and Wept": The Trauma of Removal in Mary Rowlandson’s The Sovereignty and Goodness of God
Aaron Graham

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“REX QUONDAM REXQUE FUTURUS”: The Chronology of Camelot in Le Morte d’Artur
Elizabeth McIntosh

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“The Most Fatal Thing a Man Can Do is Try to Stand Alone”: Collective Individualism in Carson McCullers’s The Heart Is a Lonely Hunter
Rebecca Peterson

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Forum Prompt: Haunted Subjects
Jayne Elizabeth Lewis

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Speaking Through Death in Toni Morrison's Beloved and Jean Rhys's Wide Sargasso Sea
Monir Birouk

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“nicht wirklich unheimlich, vielleicht gemütlich, auf eine gemeine art”: The Pleasure of Haunting in Judith Hermann’s Nichts als Gespenster
Brad Gerhardt

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The Death of Trauma: Mourning and Healing in Edwidge Danticat's The Dew Breaker
Marinda Quist

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Contributors
Criterion: A Journal for Literary Criticism

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Criterion: A Journal for Literary Criticism (2013)
Criterion: A Journal for Literary Criticism