Publication Date
2008
Keywords
Shakespeare, sea-change, The Tempest
Abstract
An historical approach to the changing use of a Shakespearean phase, like “sea- change,” offers a case study in the long-standing power and evolving meaning of Shakespeare’s language. While all sea-changes today are not so major as those of which Ariel sang in The Tempest, the rich language of Ariel’s song has acquired a significant place in the history of American journalism.
Recommended Citation
Comer, Joshua L.
(2008)
"Tracing Shakespeare’s Sea-Change: from The Tempest to The New York Times,"
Quidditas: Vol. 29, Article 9.
Available at:
https://scholarsarchive.byu.edu/rmmra/vol29/iss1/9
Included in
Comparative Literature Commons, History Commons, Philosophy Commons, Renaissance Studies Commons