Theses/Dissertations from 2024
Manuel Ponce: Father of Mexican Nationalistic Music, Guillermo Sanchez Gutierrez
The Voice as Identity: How Opera has Influenced Dubbing in Italy and the United States, Brynn Allison Staker
Theses/Dissertations from 2023
"Very Beautiful and Very American": A Multicultural Analysis of Florence B. Price's Quintet in A Minor for Piano and Strings, Taryn Jane Carvajal Harding
Theses/Dissertations from 2018
Pauline Oliveros and the Quest for Musical Utopia, Hannah Christina McLaughlin
Theses/Dissertations from 2016
The Development of Western Classical Piano Culture in Postwar Asia, Yejin Cho
Theses/Dissertations from 2015
Percussion Education in Secondary Public Schools: A Pilot Study Comparing the Concert Band vs. the Percussion Ensemble Approach, Jedediah Alan Blodgett
An Historical Ethnography of a Rural School Music Program: A Case Study, Robert C. Lacey
Theses/Dissertations from 2012
Examining the Origins of the Late Baroque Monothematic Fugue:A Study of Seventeenth-Century Fugue in Italian Violin Music, Clemence Theodora Destribois
Schumann's Op. 25: Finding the Narrative Within, Renee Danielle Gaarder
Aspects of Compositional Process in Luciano Berio's Circles, Charles Hamilton Stratford
Feminism and the New Woman in the Gilbert & Sullivan Operas, Heather Dawn Zurcher
Theses/Dissertations from 2010
The Effect of Free Movement on Preschool Students' Preference for and Recognition of Classical Music, Emilee Keith Knell
Theses/Dissertations from 2009
Concerto for Violoncello and Orchestra, Op. 27 by Paul Wranitzky: A Critical Edition, Sharon Meilstrup
Fedra ed Hippolito by Francesco Vannarelli: A Critical Edition, Daniel T. Rogers
Theses/Dissertations from 2004
Help!: An Annotated Bibliography of Resources for The Beginning Choral Conductor, Bonnie Marie Ashby
Theses/Dissertations from 2000
Reclaiming A Sacred Domain: An Ethnographic Study of Mormon Women Overcoming the Media-Supported Message of Acceptable Birth Practice Through Giving Birth at Home, Celeste Elain Witt
Theses/Dissertations from 1976
Some Educational Aspects of the Music Training Program of the Church of Jesus Christ of Latter-day Saints, 1935-1969, Grant L. Anderson
Theses/Dissertations from 1966
A Collection and Analysis of Folk Songs from Wales, Sanpete County, Utah, Leslie E. Rees
Theses/Dissertations from 1963
William Claude Clive His Life and Contribution to Music in Utah, David C. Andersen
Theses/Dissertations from 1962
A Translation of Chapter LXVI of Book I, Part I of Fra Lodovico Zacconi's Prattica di Musica, Diran Akmajian
An Analytical Study of the Formal Treatment of the Cantus Firmus in Thirty Chorale Preludes on Well-Known Hymn Tunes Op. 68, 69, and 70, by Flor Peeters, E. Donnell Blackham
Theses/Dissertations from 1961
The Ogden Tabernacle Choir: Its History and Contributions to the Cultural History of Utah, Merlin Ray Sorensen
Theses/Dissertations from 1960
Pioneer Bands and Orchestras of Salt Lake City, Martha Tingey Cook
Theses/Dissertations from 1957
John Elliott Tullidge: the influence of his Life and Works on the Musical Culture of Utah, Virgil H. Camp
Music History of the Salt Lake Theatre, the Formative Years: 1862-1870, Alfred S. Morris
George Edward Percy Careless: His Contributions to the Musical Culture of Utah and the Significance of His Life and Works, Howard Hoggan Putnam
A Collection of Ballads, Folk Songs, Dance Tunes and Marches from Taylor, Arizona, Lenn M. Shumway
Theses/Dissertations from 1952
Brigham Cecil Gates: Composer, Director, Teacher of Music, Lyneer Charles Smith
Eighty Years of Music in St. George, Utah, 1861-1941, Reed Paul Thompson
Theses/Dissertations from 1951
John J. Mcclellan, Tabernacle Organist, Annie Rosella Compton
Theses/Dissertations from 1933
An Historic Account of Music Criticism and Music Critics in Utah, Basil Hansen