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Submissions from 2018

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The Master of Time, Rachel Aedo

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Serving Two Masters: The Paralysis of Early 20th-Century Women in A. E. Coppard’s “The Hurly-Burly”, Juliana Avery

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E.M Forster: Discovering Connection in “Mr. Andrews”, Janelle A. Benny

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The Real Captivity in Graham’s “The Captive”, Amanda Breck

A Frame More Beautiful than the Picture: How the Frame Story Dominates the Narrative in “Habent Sua Fata Libelli.”, Matt Cowden

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Male Presence and Indecision In “Tète à Tète, à la Femme”, Olivia J. Esplin 9714899

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Through the Eyes of a Deaf-Mute, Nicole Finlayson

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Anti-Feminism in Modernist Literature, Maddie Holbrook

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Harold Monro’s “Parcel of Love”: An Expression of Monro’s Homosexuality, Mitchell Holman

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The Saddest Story and Ford’s phobias and sicknesses, instable sentimental life and respect toward the military., David Moraza

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“The Longest Day of Her Life”: Affirming Pre-WWI Gender Roles, Nicole Umphress