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Submissions from 2019

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Paralysis and Patriarchy: Moult’s “Stucco” and the Burden of Responsibility, Elena Arana

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Detachment: An Analysis of Nugent Barker’s “Mrs. Sayce’s Guy”, Caroline Bressler

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“The Price of an Inspiration” and Feminism, Hana Buhler

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Books Have Their Destinies, Calvin Carpenter

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Individual Femininity and the Modernist Epiphany, Megan Davies

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Apples and Orchards, Exteriority and Interiority: An Examination of the Agency of Objects in “In the Orchard”, Natalia Green

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H.M. Tomlinson’s “Barbarism” as Post-War PTSD, Jessica Hogge

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Finding a Foreign Home in Katherine Mansfield’s “The Daughters of the Late Colonel”, Sam Jacob

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Intertextuality, Aesthetics, and the Digital: Rediscovering Chekhov in Early British Modernism, Sam Jacob

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Francis Gregg and Horror Feminism, Sarah Jensen

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Cynical Indictment or Genuine Elevation? Ethel Smyth’s “An Adventure in a Train”, Chad Kang

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Middle Class Anxiety in “Wang-Ho and the Burial Robe”, Malcolm Lamb

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Social Alienation and Expatriate Fiction, Courtney Larkin

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“The Experience of Mrs. Patterson-Grundy” as Proto-Baudrillardian Parable, Kyler Merrill

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Predicting the Future for a Victorian World: A Digital Exploration of “Domestic Studies in the Year 2000 A.D.”, Kimberly Plater

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“A Perfect Stranger”: The Domestic Power Struggle in “Samson and Delilah”, Shelby Shipley

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HG Wells’ Anticipations : More “Perishable” Feminism, Kacey Sorenson

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Modernism in Postwar Times: Life Through the Short Story, Daniel Sowards

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Steven Acroyd Goes to War: Expressions of the War Experience in “The Victim”, Sydney Squires

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Grief and Color in A. E. Coppard’s “The Princess of Kingdom Gone”, Sydney Sterrett

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All Is Fair in Love in “War”, Sabrina Thomas

Understanding Proust, Rio Turnbull

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Meaninglessness in Tomlinson’s “The Fog”, Tate Wright

Submissions from 2018

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The Master of Time, Rachel Aedo

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Serving Two Masters: The Paralysis of Early 20th-Century Women in A. E. Coppard’s “The Hurly-Burly”, Juliana Avery

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E.M Forster: Discovering Connection in “Mr. Andrews”, Janelle A. Benny

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The Real Captivity in Graham’s “The Captive”, Amanda Breck

A Frame More Beautiful than the Picture: How the Frame Story Dominates the Narrative in “Habent Sua Fata Libelli.”, Matt Cowden

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Male Presence and Indecision In “Tète à Tète, à la Femme”, Olivia J. Esplin 9714899

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Through the Eyes of a Deaf-Mute, Nicole Finlayson

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Anti-Feminism in Modernist Literature, Maddie Holbrook

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Harold Monro’s “Parcel of Love”: An Expression of Monro’s Homosexuality, Mitchell Holman

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The Saddest Story and Ford’s phobias and sicknesses, instable sentimental life and respect toward the military., David Moraza

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“The Longest Day of Her Life”: Affirming Pre-WWI Gender Roles, Nicole Umphress