Submissions from 2019
Paralysis and Patriarchy: Moult’s “Stucco” and the Burden of Responsibility, Elena Arana
Detachment: An Analysis of Nugent Barker’s “Mrs. Sayce’s Guy”, Caroline Bressler
“The Price of an Inspiration” and Feminism, Hana Buhler
Books Have Their Destinies, Calvin Carpenter
Individual Femininity and the Modernist Epiphany, Megan Davies
Apples and Orchards, Exteriority and Interiority: An Examination of the Agency of Objects in “In the Orchard”, Natalia Green
H.M. Tomlinson’s “Barbarism” as Post-War PTSD, Jessica Hogge
Finding a Foreign Home in Katherine Mansfield’s “The Daughters of the Late Colonel”, Sam Jacob
Intertextuality, Aesthetics, and the Digital: Rediscovering Chekhov in Early British Modernism, Sam Jacob
Francis Gregg and Horror Feminism, Sarah Jensen
Cynical Indictment or Genuine Elevation? Ethel Smyth’s “An Adventure in a Train”, Chad Kang
Middle Class Anxiety in “Wang-Ho and the Burial Robe”, Malcolm Lamb
Social Alienation and Expatriate Fiction, Courtney Larkin
“The Experience of Mrs. Patterson-Grundy” as Proto-Baudrillardian Parable, Kyler Merrill
Predicting the Future for a Victorian World: A Digital Exploration of “Domestic Studies in the Year 2000 A.D.”, Kimberly Plater
“A Perfect Stranger”: The Domestic Power Struggle in “Samson and Delilah”, Shelby Shipley
HG Wells’ Anticipations : More “Perishable” Feminism, Kacey Sorenson
Modernism in Postwar Times: Life Through the Short Story, Daniel Sowards
Steven Acroyd Goes to War: Expressions of the War Experience in “The Victim”, Sydney Squires
Grief and Color in A. E. Coppard’s “The Princess of Kingdom Gone”, Sydney Sterrett
All Is Fair in Love in “War”, Sabrina Thomas
Understanding Proust, Rio Turnbull
Meaninglessness in Tomlinson’s “The Fog”, Tate Wright
Submissions from 2018
The Master of Time, Rachel Aedo
Serving Two Masters: The Paralysis of Early 20th-Century Women in A. E. Coppard’s “The Hurly-Burly”, Juliana Avery
E.M Forster: Discovering Connection in “Mr. Andrews”, Janelle A. Benny
The Real Captivity in Graham’s “The Captive”, Amanda Breck
A Frame More Beautiful than the Picture: How the Frame Story Dominates the Narrative in “Habent Sua Fata Libelli.”, Matt Cowden
Male Presence and Indecision In “Tète à Tète, à la Femme”, Olivia J. Esplin 9714899
Through the Eyes of a Deaf-Mute, Nicole Finlayson
Anti-Feminism in Modernist Literature, Maddie Holbrook
Harold Monro’s “Parcel of Love”: An Expression of Monro’s Homosexuality, Mitchell Holman
The Saddest Story and Ford’s phobias and sicknesses, instable sentimental life and respect toward the military., David Moraza
“The Longest Day of Her Life”: Affirming Pre-WWI Gender Roles, Nicole Umphress