Keywords
Contemporary Art, Black Artists, Anti-racist Pedagogy, Artistic Canon
Abstract
A recurring challenge for art educators is how to include Black voices within the art curriculum. This challenge seems ever more relevant as a pandemic underlined the inequalities and injustices within our culture and society. A critical question for many White visual arts educators is: How do I, as a White educator, bring important issues of race, privilege, ideology, gender, and anti-racism into the art classroom? How can I help students to understand Whiteness as a cultural text and set about destabilizing White identity? How does one make space for an antiracist pedagogy? One way to begin conversations about these issues is to bring the voices of Black artists into the classroom through viewing their artwork and listening to recorded accounts of their experiences. These artists have a transformational urgency in their work; they embody another artistic canon that includes ways of working that are on the cutting edge of contemporary art. The artwork and stories of Black artists are not just alternative voices, their work is shaping the future of art, culture, and society.
Original Publication Citation
Graham, M. A. (2022). Deconstructing Narratives about Artistic Mastery. Journal of Cultural Research in Art Education. Editor Joni Boyd Acuff.
BYU ScholarsArchive Citation
Graham, Mark, "Deconstructing Narratives About Artistic Mastery in Art Education" (2022). Faculty Publications. 7493.
https://scholarsarchive.byu.edu/facpub/7493
Document Type
Peer-Reviewed Article
Publication Date
2022
Publisher
Journal Of Cultural Research in Art Education
Language
English
College
Fine Arts and Communications
Department
Art
Copyright Use Information
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