Abstract
Since its creation over two decades ago, French rap music has evolved to become both wildly popular and highly controversial. It has been the subject of legal debate because of its violent content, and accused of encouraging violent behavior. This thesis explores the French M.C.'s role as representative and reporter of the France's suburbs, la Banlieue, and contains analyses of French rap lyrics to determine the rappers' perception of Banlieue violence. Using the song lyrics, this work examines the conditions and causes of that violence as seen by the Banlieusard, and answers the critics' accusations that French rap is a call to violence.
Degree
MA
College and Department
Humanities; French and Italian
Rights
http://lib.byu.edu/about/copyright/
BYU ScholarsArchive Citation
Chennault, Schyler B., "Je vis, donc je vois, donc je dis: Banlieue Violence in French Rap" (2007). Theses and Dissertations. 834.
https://scholarsarchive.byu.edu/etd/834
Date Submitted
2007-03-22
Document Type
Thesis
Handle
http://hdl.lib.byu.edu/1877/etd1787
Keywords
French, rap, hip-hop, Banlieue, violence, rapper, M.C., France
Language
English
Included in
French and Francophone Language and Literature Commons, Italian Language and Literature Commons