Abstract

This thesis examines Chimamanda Ngozi Adichie's Purple Hibiscus through an ecofeminist and postcolonial ecocritical lens, developing the concept of "wounded domestic ecology" to analyze how gendered violence operates within domestic space. Drawing on trauma studies, particularly J. R. Kurtz and Rob Nixon's concept of slow violence, it argues that harm in the novel is accumulative, produced through repetition, surveillance, ritual, and spatial regulation. Eugene's household functions as an environment that disciplines bodies, governs language, and embeds fear into everyday life. In contrast, Aunt Ifeoma's home in Nsukka offers a counter-ecology structured by sound, shared labor, and dialogic authority, interrupting the conditions that sustain trauma without erasing it. Through close textual analysis, this thesis demonstrates that transformation in the novel is environmental before it is psychological, contributing to feminist, postcolonial, and ecocritical approaches to literature.

Degree

College and Department

Humanities; English

Rights

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