Abstract
Entwurzelt (Uprooted) is an installation that explores the emotional landscape of displacement-trauma, grief, and the search for belonging in the aftermath of war and unrest. The vessels in this installation evoke the presence of a forest--each one a symbolic tree, rooted in memory and shaped by personal and collective histories. Being torn from the familiar means leaving behind everything except memories and carrying a void that may never be fully filled. Yet, in unfamiliar places, fragments of comfort can be found--echoes of what once was. For me, the forest is more than a memory--it is a bridge between past and present, between generations. It represents continuity, culture, and community, even in the face of rupture. This project stands as a monument to those who have been displaced, and a celebration of the cultural richness that emerges from diversity. It honors resilience, connection, and the enduring human spirit.
Degree
MFA
College and Department
Fine Arts and Communications; Art
Rights
https://lib.byu.edu/about/copyright/
BYU ScholarsArchive Citation
Fischer, Melanie, "Entwurzelt" (2026). Theses and Dissertations. 11150.
https://scholarsarchive.byu.edu/etd/11150
Date Submitted
2026-04-03
Document Type
Thesis
Permanent Link
https://arks.lib.byu.edu/ark:/34234/q2b55cbf67
Keywords
art, sculpture, installation, ceramics, video, 3D print, CNC, mixed media, trees, forest, uprooted, displacement, escape, loss, trauma, destruction, generations, family history, roots, memory, time, place, traditions
Language
english