Abstract
Contemporary poets such as Richard Siken are known for their sexual and explicitly queer nature. Others have debated the spiritual dimension of queer poetry such as Siken's, with individuals such as Marta Figlerowicz arguing that though one of Siken's poems calls itself a litany, it does not match all the rules of a litany due to not being clearly devotional. Using an outside-in analytical approach to Richard Siken's "Snow and Dirty Rain," Kayleb Rae Candrilli's "There is a Point at Which I Tire of My Own Fear," and Jericho Brown's "Eden", I argue that spirituality can be found in explicit queer poetry through symbols and meanings found between the lines. I specifically use Eden symbolism and trace the history of queer Edenic narratives to examine how each of these poems function as narratives of queer Eden in their own right. Ultimately, I conclude that Siken, Candrilli, and Brown make space for queerness in Eden through a focus on choice and agency.
Degree
MA
College and Department
Humanities; English
Rights
https://lib.byu.edu/about/copyright/
BYU ScholarsArchive Citation
Dickens, Aubrey, ""A Love That Transcends Hunger": Choice and Edenic Imagery in Contemporary Queer Poetry" (2024). Theses and Dissertations. 10840.
https://scholarsarchive.byu.edu/etd/10840
Date Submitted
2024-04-22
Document Type
Thesis
Handle
http://hdl.lib.byu.edu/1877/etd13644
Keywords
Richard Siken, Jericho Brown, Kayleb Rae Candrilli, queer theology, Garden of Eden, Eden, queer poetry, contemporary poets, post-secularism
Language
english