Abstract

Rock imagery from the late Fremont period (1000-1300 AD) has captivated the interest of both professional and avocational researchers for the past century. In this thesis, I apply a highly systematized method of cataloguing and analysis to 482 anthropomorphs from Clear Creek Canyon (CCC) and Grand Staircase Escalante National Monument (GSENM). The primary theoretical assumption in this thesis is that the shapes used in anthropomorphic imagery convey ideas about how the Fremont saw people. I therefore recorded the head and body morphology and presence of arms, legs, and genitalia of each anthropomorph. By observing the data spatially, I discovered both intraregional and interregional patterns This research served to strengthen the argument that the Fremont people shared a common culture with regional variations.

Degree

MA

College and Department

Family, Home, and Social Sciences; Anthropology

Rights

https://lib.byu.edu/about/copyright/

Date Submitted

2024-06-20

Document Type

Thesis

Handle

http://hdl.lib.byu.edu/1877/etd13285

Keywords

Fremont, Southwest, rock art, rock imagery, Native Americans, Utah, anthropomorph, spatial, Clear Creek Canyon, Escalante, Fremont Indian State Park

Language

english

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