Abstract
This thesis article analyzes Rodolfo Teófilo's novel "A fome" through the lens of ecofeminism, exploring the representations of gender and nature in Brazilian literature. The novel, set during a devastating drought in the Northeast, follows Manuel de Freitas and his family as they seek relief in Ceará. While existing criticism has focused on the novel's use of nature and masculinity, the portrayal of female characters and the connection between gender and nature representations have been overlooked. Ecofeminist theory offers a critical perspective to understand these dynamics, revealing the devaluation of women and nature in favor of men and human beings in the narrative. The novel inadvertently perpetuates this oppressive view, objectifying women and land as submissive entities open to domination, despite acknowledging their abundance and creative power. While "A fome" effectively depicts the horrors of drought and societal injustices, it misses the opportunity to explore the imbalanced, hierarchical binaries of men/women and human/nature. By embracing an ecofeminist approach, the novel could have delved into the intertwined discourses of environmental and gender justice, presenting potential for empowerment and positive change. This article emphasizes the need to interweave these discourses in Brazilian literature to create a more inclusive and equitable societal narrative.
Degree
MA
College and Department
Humanities; Spanish and Portuguese
Rights
https://lib.byu.edu/about/copyright/
BYU ScholarsArchive Citation
Wood, Mikaela, "“Já muito estropeadas”: Bodies and landscapes of oppression in Rodolfo Teófilo’s A fome" (2023). Theses and Dissertations. 10057.
https://scholarsarchive.byu.edu/etd/10057
Date Submitted
2023-08-17
Document Type
Thesis
Handle
http://hdl.lib.byu.edu/1877/etd12895
Keywords
Rodolfo Teófilo, A fome, naturalism, romanticism, ecofeminism, hierarchical binaries
Language
english