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Criterion: A Journal of Literary Criticism

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Home > Journals > Criterion > Vol. 13 (2020) > Iss. 1

 

Volume 13, Issue 1 (2020) Winter

Front Matter

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Front Matter

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Editor's Note

Articles

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Ireland in Double Vision: The Allegory of Seamus Heaney's "Come to the Bower"
Janaya Tanner

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Anne Frank in Translation
Emily Cluff

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"She Was Never Property": The Underground Railroad and John Locke's Labor Theory of Property
Samuel Christensen

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Clichéd Language and Commonplace Faith
Gavin Wride

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The Mosaic of Aesthetics: The Manifestation of Clive Bell's and Roger Fry's Theories in The Waves
Nina Katarina Štular

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Man-maid Merchant: Rebellion and Otherness in Shakespeare's Othello and Merchant of Venice
Taylor Flickinger

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On Waiters and Writers: Views of Authorship in Charles Dickens's "Somebody's Luggage"
Michela Miller Dickson

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Torn by Tension: Modernism in Edith Wharton's The Age of Innocence
Kathryn Taylor

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Zitkala-Ša and the Holistic God: Redefining American Spirituality in "The Great Spirit"
Jared Brockbank

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Curing Beauty's Stockholm Syndrome
Erin Lee

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Andersen vs. Schaffert: Mermaids as a Symbol for Experience's Relationship to Gender
Krista Butts

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Peter, Pan, and Persephone: Keepers of the Mythical Wild
Noelle Conder

End Matter

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Contributors List

Full Issue

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Full Issue Winter 2020

 
 
 
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ScholarsArchive ISSN: 2572-4479

 
 
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