Degree Name
BA
Department
English
College
Humanities
Defense Date
2026-05-12
Publication Date
2026-06-29
First Faculty Advisor
Peter Leman
First Faculty Reader
John Talbot
Honors Coordinator
Aaron Eastley
Keywords
Seamus Heaney, Heaney, "The Troubles" Irish poetry, Elegy, Grief
Abstract
In 1981, Seamus Heaney discussed the role of poetry as “more a mode for grief than grievance” (407). This essay is concerned with how Heaney used poetry to grieve suffering, death, and loss, especially within the context of “The Troubles” in Ireland from roughly 1965 to 1998. To better understand Heaney’s poetry, this essay will explore three elegies, “Casualty,” “The Strand at Lough Beg,” and “In Memoriam Francis Ledwidge.” These three grieving poems examine different facets of both the elegy and Irish history and conflict. Within them, Heaney creates modes of both mourning and healing for the many emotions associated with death and loss. All three of the poems seem to attempt and struggle to answer the question of the meaning of this death and conflict. “In Memoriam Francis Ledwidge” reads, “In you, our dead enigma, all the strains / Criss-cross in useless equilibrium” (lines 45-46) and “The Strand at Lough Beg” says, “For you and yours and yours and mine fought the shy / … / And could not crack the whip or seize the day” (lines 23, 25). After grappling with the guilt after the death of a fisherman acquaintance in “Casualty,” Heaney implores “Question me again” (line 112). The varying
identities of those who died, combined with the tone, rhythm, structure, and historical background of each poem shows a different face of grief to guide readers through the mourning process.
BYU ScholarsArchive Citation
Whitney, Lucy, "SEAMUS HEANEY AND THE “MODE OF GRIEF”: THREE ELEGIES OF FIELD WORK" (2026). Undergraduate Honors Theses. 523.
https://scholarsarchive.byu.edu/studentpub_uht/523