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Authors

James Drake

Keywords

Nelson Eddy, baritones

Abstract

“This may sound egotistical on my part,” said long-time Philadelphia music critic Max de Schauensee in a 1977 interview I conducted with him, “but often I have found myself lecturing friends and colleagues that the Nelson Eddy they know from movie screens as a matinee idol, is a genuine opera singer. I know so because I saw him in Aida, Bohème, Pagliacci, both as Silvio and Tonio, and Tannhäuser.” As the astute De Schauensee was quick to point out, Nelson Eddy had a repertoire of 28 operas during his tenure with the Philadelphia Civic Opera Company, where he was a principal baritone from 1928- 1931.

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