This project explores 9/11 as a performative act that is re-represented in post 9/11 fiction. Although many scholars have engaged spectacle theory to understand the event, this project asserts that performance theory gives a more dynamic and ethical reading of post 9/11 literatures like Jonathan Safran Foer's Extremely Loud and Incredibly Close and Don DeLillo's Falling Man. The aforementioned post 9/11 texts showcase narrative performances and also give formal performances for an audience of readers. Theatricality in these texts promotes dialogue and healing through interactive communication.
College and Department
BYU ScholarsArchive Citation
Silva, Elise Christine, "Terror, Performance and Post 9/11 Literature" (2011). Theses and Dissertations. 2724.
9/11 Fiction, Performance Theory