Content Category
Literary Criticism
Abstract/Description
Abstract: “Violence and Identity in Native Son” examines the cycle of violence that begins with white objectification of blacks and ultimately results in extralegal black violence and legislated white violence. Richard Wright’s Native Son details this cycle as it is initiated by white objectification of blacks, creating owner-object relationships between members of the two races. Objectification leads to loss of identity and blindness, cultivating indifference and shame among members of black society. For the novel’s main character Bigger, shame produces violence. Violent acts become acts of creation that enable him to formulate identity in meaningful ways. This new understanding of violence prompts the audience to rethink traditional interpretations of black violence and question the forces behind it.
Copyright and Licensing of My Content
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
Origin of Submission
as part of a class
Faculty Involvement
Jamin Rowan
Location
4116 JFSB
Start Date
17-3-2016 12:15 PM
End Date
17-3-2016 1:15 PM
Included in
Violence and Identity in Native Son
4116 JFSB
Abstract: “Violence and Identity in Native Son” examines the cycle of violence that begins with white objectification of blacks and ultimately results in extralegal black violence and legislated white violence. Richard Wright’s Native Son details this cycle as it is initiated by white objectification of blacks, creating owner-object relationships between members of the two races. Objectification leads to loss of identity and blindness, cultivating indifference and shame among members of black society. For the novel’s main character Bigger, shame produces violence. Violent acts become acts of creation that enable him to formulate identity in meaningful ways. This new understanding of violence prompts the audience to rethink traditional interpretations of black violence and question the forces behind it.