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Establishing Shot: The Scope of Mormon Cinema
Gideon O. Burton

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A History of Mormon Cinema
Randy Astle and Gideon O. Burton

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The First Wave: The Clawson Brothers and the New Frontier (1905-1929)
Randy Astle and Gideon O. Burton

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The Second Wave: Home Cinema (1929-1953)
Randy Astle and Gideon O. Burton

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The Third Wave: Judge Whitaker and the Classical Era (1953-1974)
Randy Astle and Gideon O. Burton

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The Fourth Wave: The Mass Media Era (1974-2000)
Randy Astle and Gideon O. Burton

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The Fifth Wave: Cultural and Commercial Viability (2000-Present)
Randy Astle and Gideon O. Burton

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The Mormon as Vampire: A Comparative Study of Winifred Graham's The Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker's Dracula
James V. D'Arc

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"There Is Room for Both": Mormon Cinema and the Paradoxes of Mormon Culture
Terryl L. Givens

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Finding an Audience, Paying the Bills: Competing Business Models in Mormon Cinema
Eric Samuelsen

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Seeking after the Good in Art, Drama, Film, and Literature
Travis T. Anderson

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Active Spectatorship: Spiritual Dimensions of Film
Sharon Swenson

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A Manifesto for "Fit for the Kingdom": Dean Duncan's Proposal for a Mormon Documentary Series
Gideon O. Burton

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Toward a Mormon Cinematic Aesthetic: Film Styles in Legacy
Thomas J. Lefler and Gideon O. Burton

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Full Issue
BYU Studies

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The Mormons. Produced by Helen Whitney.
Brian Q. Cannon, Mario S. De-Pillis, and Richard E. Bennett

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New York Doll. Directed by Greg Whiteley.
Nathan Richardson

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Angie. Produced by the Tom Russell family.
Randy Astle

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The Sixth Annual LDS Film Festival, January 17-20, 2007
Candy Eash