BYU ScholarsArchive

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Introductory pages
BYU Studies

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Mormons, Opera, and Mozart
Gideon O. Burton

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Full Issue
BYU Studies

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End Matter
BYU Studies

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A Magic Summer with The Magic Flute
Kaye Terry Hanson

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A Performer's Reflections on Die Zauberflöte
Lawrence P. Vincent

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Preface
Paul E. Kerry

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A Chronology of Mozart and His Times
Hans-Wilhelm Kelling

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Toward an Anthropology of Apotheosis in Mozart's Magic Flute: A Demonstration of the Artistic Universality and Vitality of Certain "Peculiar" Latter-day Saint Doctrines
Alan F. Keele

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From Arcadia to Elysium in The Magic Flute and Weimar Classicism: The Plan of Salvation and Eighteenth-Century Views of Moral Progression
John B. Fowles

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"Initiates of Isis Now, Come, Enter into the Temple!": Masonic and Enlightenment Thought in The Magic Flute
Paul E. Kerry

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European Views of Egyptian Magic and Mystery: A Cultural Context for The Magic Flute
Kerry Muhlestein

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Notes on the Egyptian Motifs in Mozart's Magic Flute
John Laurence Gee

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Sarastro's Repentance: One Dramaturg's Advice on The Magic Flute
Michael Evenden

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Monostatos, the Moor
David P. Crandall

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The Queen of the Night: A Mother Betrayed
Victoria A. Webb

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Die Zauberflöte: What's in a Title?
Harrison Powley

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Mann und Weib, and Baby Makes Two: Gender and Family in Johann Wolfgang von Goethe's Sequel to The Magic Flute
Robert B. McFarland

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An Allegory of Eden: Marc Chagall's Magic Flute Poster
Philipp B. Malzl

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Adaptation, Enactment, and Ingmar Bergman's Magic Flute
Dean W. Duncan

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Diese Aufnahme ist bezaubernd schön: Deutsche Grammophon's 1964 Recording of The Magic Flute
Aaron Dalton

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Set Design for the Final Scene in The Magic Flute
Michael P. Lyon