BYU Studies Quarterly
Keywords
Mormon studies, Mozart, The Magic Flute, Die Zauberflöte
Abstract
The multidisciplinary appeal and what Goethe called the "generative force" of Mozart's opera The Magic Flute (Die Zauberflöte, 1791) is abundantly evident in the diversity of perspectives represented in this special issue of BYU Studies: anthropology, art history, comparative literature, the classical tradition, Egyptology, English, German, history, management studies, law, music, religion, theater and media studies, and vocal performance.
Recommended Citation
Kerry, Paul E.
(2004)
"Preface,"
BYU Studies Quarterly: Vol. 43:
Iss.
3, Article 2.
Available at:
https://scholarsarchive.byu.edu/byusq/vol43/iss3/2