Degree Name
BA
Department
Comparative Arts and Letters
College
Humanities
Defense Date
2025-03-06
Publication Date
2025-03-14
First Faculty Advisor
Dr. Sara Phenix
First Faculty Reader
Dr. Patrícia Andrade
Honors Coordinator
Dr. Larry Peer
Keywords
Maternity, Pregnancy, Feminism, France, America, Brazil
Abstract
This thesis explores portrayals of the pregnant female mind in early 20th-century literature completed by female authors in the francophone, lusophone, and anglophone tradition. The three cited authors—Lucie Delarue-Mardrus, Pagu, and Nella Larsen—have each produced novels which include explicit references to childbirth and maternity, as well as veiled references to the mother’s mental state before, during, and after pregnancy. A close analysis of these scenes reveals an underlying discourse of the effects of pregnancy on cognition and mental health, suggesting that the contemporary discourse on the self-sacrificing mother was over-simplistic and placed women within strict categories of “good mother” or “bad mother” depending on their reactions to pregnancy and their newborn child. In this thesis, I rely on the historical context of the shift towards hospitals for childbirth as well as the emerging feminist movement in order to show how these authors used their literature to advocate for a more complex embodied pregnant woman whose identity extended beyond the reach of her pregnancy.
BYU ScholarsArchive Citation
Hirtle, Sophie, "MORE THAN A VESSEL: PRESENTATIONS OF THE MOTHER IN LUCIE DELARUE-MARDRUS’ MARIE, FILLE-MÈRE; PAGU’S PARQUE INDUSTRIAL; AND NELLA LARSEN’S QUICKSAND" (2025). Undergraduate Honors Theses. 428.
https://scholarsarchive.byu.edu/studentpub_uht/428