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Newsletter of the Jussi Björling Societies of the USA & UK

Keywords

opera performance practice, singing actors, operatic acting history

Abstract

Join former Washington Post chief classical music critic Anne Midgette and Composer, Music Critic and Professor Greg Sandow for a lively conversation about the myth of “park and bark.” In the 21st century, audiences have been led to believe that we’ve seen a renaissance of acting in opera, and that singers of the past tended to stand still on stage and simply power out their music: the so-called “park and bark.” Nothing could be further from the truth. Midgette and Sandow offer a look at the true history of “singing actors,” acting singers, and how opera singers have long moved people with their acting through their bodies as well as their voices.

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