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Journal of Undergraduate Research

Keywords

orphic allusions, Horace Odes, poems, Orpheus, mythology

College

Humanities

Department

Comparative Arts and Letters

Abstract

In 23 B.C. Horace published three books of Odes. The longest of these poems, Odes 3.4, has been the object of much scholarly attention, largely because of its complexity. In approaching this closely-studied poem I have sought to examine a facet which has gone virtually untouched by the scholarly literature thus far: the poem’s allusions to the mythological figure Orpheus. A musician and poet of legendary power, Orpheus was able to control nature and even overpower death with his bewitching song. Though he is never explicitly mentioned in the text, a number of ideas and themes associated with Orpheus are strewn throughout the poem. I believe, therefore, that we may profitably read the poem with an eye to its Orphic undertones.

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