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Journal of Undergraduate Research

Keywords

Jan Stiastny, modern performance, classical cello compositions

College

Fine Arts and Communications

Department

Music

Abstract

The violoncello emerged as a vehicle of virtuosity starting in the latter half of the 17th Century and continued to gain prestige as a capable solo instrument throughout the 19th and 20th centuries. Modern cellists are aware of the plethora of excellent romantic and modern/post-modern solo cello compositions, and the relative dearth of excellent classical repertoire composed for the same instrument. Apart from Haydn’s two concertos, Beethoven’s Triple Concerto, and five sonatas, and to a lesser degree, the works of the cellist/composer Luigi Boccherini, it is hard to find classical cello compositions being performed today.

Included in

Music Commons

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