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Journal of Undergraduate Research

Keywords

MELOS-V, melodic organization, musical microstructures, musicologists

College

Fine Arts and Communications

Department

Music

Abstract

In the last century, a new discipline developed around the scientific analysis of musical microstructures found in authentic or “deep-layer” folksong. Ilmari Krohn of Finland was the first to publish in this field (Suomen kansan sävelmiä—Volumes I–IV, 1904–1928). This publication came into the hands of two young Hungarian university students who later became world-class composers, Béla Bartók and Zoltán Kodály, who had already been collecting peasant tunes in remote rural villages. Krohn’s analysis and classification paradigm was just what Bartók and Kodály needed to make sense of the rich musical structures they were finding in the ancient layers of the Hungarian oral tradition.

Included in

Music Commons

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