This work explores Junot D<Í>az as an author of decolonial imagination, and more specifically, how the carnivalesque nature of Dominican machismo as influenced by Trujillo<'>s el t<Í>guere masculinity creates liminal space for self-determination in opposition to colonial imagination. In exploring D<Í>az<'>s primary masculine characters, Oscar de Leon and Yunior de Las Casas, I trace the initial decolonial turn engendered by tigueraje performance, namely its projective creation of self outside of colonial domination. El t<Í>guere machismo as empowering for Dominican males, however, is problematized by its reciprocal domination of both women and men who fail to meet the tigueraje ideal. It becomes an attempted cure that is ultimately symptomatic of the extent to which the effects of insidious ideologies and political policies, in this case, imperialism, perpetuate themselves across time, space, and perhaps most significantly, cultures. Ultimately, identifying Junot D<Í>az as decolonial author is a misrepresentation; though D<Í>az writes to break free of coloniality, his failure to largely acknowledge in his writing the cost and damage done to Dominican women reveals a narrow focus antithetical to the larger goals of decoloniality.
College and Department
BYU ScholarsArchive Citation
Price, Joshua Evans, "Machismo, Carnival, and the Decolonial Imagination in the Writings of Junot D<Ã>az" (2018). Theses and Dissertations. 7318.
Junot D<Í>az, Oscar Wao, carnivalesque, machismo, colonialism, decolonial imagination, el t<Í>guere