Mormon studies, Mozart, The Magic Flute, Die Zauberflöte
The multidisciplinary appeal and what Goethe called the "generative force" of Mozart's opera The Magic Flute (Die Zauberflöte, 1791) is abundantly evident in the diversity of perspectives represented in this special issue of BYU Studies: anthropology, art history, comparative literature, the classical tradition, Egyptology, English, German, history, management studies, law, music, religion, theater and media studies, and vocal performance.
Kerry, Paul E.
BYU Studies Quarterly: Vol. 43:
3, Article 2.
Available at: https://scholarsarchive.byu.edu/byusq/vol43/iss3/2