BYU Studies Quarterly
Articles
Establishing Shot: The Scope of Mormon Cinema
Gideon O. Burton
A History of Mormon Cinema
Randy Astle and Gideon O. Burton
The First Wave: The Clawson Brothers and the New Frontier (1905-1929)
Randy Astle and Gideon O. Burton
The Second Wave: Home Cinema (1929-1953)
Randy Astle and Gideon O. Burton
The Third Wave: Judge Whitaker and the Classical Era (1953-1974)
Randy Astle and Gideon O. Burton
The Fourth Wave: The Mass Media Era (1974-2000)
Randy Astle and Gideon O. Burton
The Fifth Wave: Cultural and Commercial Viability (2000-Present)
Randy Astle and Gideon O. Burton
Seeking after the Good in Art, Drama, Film, and Literature
Travis T. Anderson
Active Spectatorship: Spiritual Dimensions of Film
Sharon Swenson
A Manifesto for "Fit for the Kingdom": Dean Duncan's Proposal for a Mormon Documentary Series
Gideon O. Burton
Toward a Mormon Cinematic Aesthetic: Film Styles in Legacy
Thomas J. Lefler and Gideon O. Burton
Full Issue
Full Issue
BYU Studies
Film Reviews
The Mormons. Produced by Helen Whitney.
Brian Q. Cannon, Mario S. De-Pillis, and Richard E. Bennett
New York Doll. Directed by Greg Whiteley.
Nathan Richardson
Angie. Produced by the Tom Russell family.
Randy Astle