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BYU Studies Quarterly

BYU Studies Quarterly

Authors

Paul E. Kerry

Keywords

Mormon studies, Mozart, The Magic Flute, Die Zauberflöte

Abstract

The multidisciplinary appeal and what Goethe called the "generative force" of Mozart's opera The Magic Flute (Die Zauberflöte, 1791) is abundantly evident in the diversity of perspectives represented in this special issue of BYU Studies: anthropology, art history, comparative literature, the classical tradition, Egyptology, English, German, history, management studies, law, music, religion, theater and media studies, and vocal performance.

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